Missing Mom
By Joyce Carol Oates
In Missing Mom, Joyce Carol Oates turns her observant
eye to the subjects of loss and grief. Thirty-one-year-old Nikki Eaton
doesn't regularly give much thought to her mother. Nikki is hip, sexy,
writes for the local paper, and enjoys a salacious relationship with
a married man, much to the dismay of her widowed mother Gwen. She figures
she knows all there is to know about her other-- that what she sees
on the surface: her kindness, trusting nature, and
willingness to demure to others on just about everything-- is all there
is. At least, that's how she and her older sister Clare treat Gwen.
It's not until Gwen's awful murder at the hands of a
paroled drifter that Nikki realizes that her mother had a depth and
breadth beyond anything she'd imagined. Sparring with Clare over everything
from the murerer's trial to clearing their parents' belongings from
the house, Nikki, floundering in her grief, finally decides to move
back in to her mother's house, at least temporarily, infuriating Clare.
But from this vantage point, Nikki has the unique opportunity
to "walk a mile in someone else's shoes" as the saying goes.
Following along in the activities penciled in on her calendar by Gwen
before she died, Nikki finds unexpected solace in continuing Gwen's
exercise at the Y and visiting elderly relatives, for example. As Nikki
learns more about the person her mother really was while the first anniversary
of her death draws closer, only then can she face up to what her mother
really meant to her and how much she will miss having her mother in
her life.
Joyce Carol Oates (We Were the Mulvaneys) has written
a poignant novel, tackling the tangled relationship between mothers
and daughters, especially daughters who think they've got Mom all figured
out. The pace and style of Missing Mom evoke a melancholy mood with
a chilling awareness of the reader: "This is my story of missing
my mother. One day, in a way unique to you, it will be your story, too."
The characterization is amazing. When the novel opens
with Gwen's Mother's Day dinner for friends and family, Oates sets her
up so that the reader can see Gwen the way her daughters do, slowing
bringing the reader around to share in Nikki's revelations along with
her. As the novel progresses, what begins as a picture of a simple housewife
as viewed by her children becomes a nuanced portrait of a woman who's
life was infinitely more complicated and richer than either of her
girls gave her credit for.
Nikki's evolution-- over the course of one year, wrestling
with shock, anger, grief, sorrow, and longing-- from a rather self-centered
baby of the family to a perceptive, self-possessed young woman is a
transformation sparked by picking up the pieces of her mother's life
and then realizing that with this knowledge, she can begin to better
understand her own.
The Secret Society of Demolition Writers
Marc Parent, ed.
"What
would you write if no one knew who you were?" That's the premise
of The Secret Society of Demolition Writers, a new book of short stories
edited by Marc Parent. Like the demolition derby drivers that tear around
the track with fearless abandon, nothing left to lose, Parent wondered
what he'd write if he had the freedom from readers' and publishers'
expectations he suspects can shackle known writers with established
reputations for penning this or that kind of book.
Challenging other writers-- well-known authors of novels,
nonfiction books, and magazine articles-- whose work he held in high
esteem, he asked them for their submissions. He vowed to keep their
stories un-credited, withholding from agents, family, friends, and fans
who wrote what. In his foreword, Parent teases the reader with his opinion
that the observant reader may be able to match story to writer, regardless
of the red herrings the authors may have strewn about their work to
throw off suspicion. With un-attributed work from Aimee Bender, Benjamin
Cheever (The Good Nanny), Michael Connelly, Sebastian Junger, Elizabeth
McCracken, Rosie O'Donnell (Find Me), Chris Offutt, Anna Quindlen, John
Burnham Schwartz, Alice Sebold, Lauren Slater (Prozac Diary), and Marc
Parent himself, readers will find The Secret Society of Demolition Writers
to be an eclectic collection of short stories.
In "The Safe Man," a locksmith finds there's
more than just stale air and dust in a mysterious, aged safe. Meanwhile,
a bickering couple's tension reaches new heights in "An Eye for
An Eye." A young woman in "Eggs" wrestles with her decision
to donate her eggs while her mother struggles against a terminal illness.
And in "Modern Times," the most self-referential of the stories,
the contributors' names are sprinkled throughout this tale of a highly-selective
writing professor and one of her students.
These and other stories in the book have broad literary
appeal—not especially oriented toward one genre or another. The
overall effect is a solid collection of stories but none has the punch
to really stand out against the others.
Unfortunately, the only thing that seems to unite them
is their "anonymous" status. If these were really anonymous
works, there'd be no list of big-name writers on the cover. The premise
makes for an interesting literary game but it's hard to see why any
of the writers invited to participate wouldn't have been willing to
attach their name to their work; all of the stories are of a quality
and skill that I think most readers would expect from these writers
and none are so daring or risqué that any of these authors could
not have published
them under their own name, which leaves the whole "anonymous"
thing feeling more like a ruse meant to tease readers than anything
else.
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